Soori was in his usual style and surprisingly he wasn’t annoying.
Seema raja movie rating movie#
That fight sequence offered to her was the only bright patch I could see in this dull movie that also sidelined the heroine after a point. Samantha towards the climax gets a fight scene which I feel that she earned because of the stardom she carries. Sivakarthikeyan is in his usual mode with an effortless portrayal of humor and same style depiction of swag and sentiments. Music also serves the purpose neatly with a few of them having catchy beats. Visuals are colorful and grand, much like most of the Ponram films. The 14th-century flashback just elongates the already stretched out plot and I found it extremely cheesy. Like I said, the script is way too random in terms of ideas and you have subplots involving leopard that right now makes no sense to me. Humor is typical and because of the lackluster story structure, the SK – Soori combination humor helps the movie in being engaging. These sort of regressive glorified politics is there packaged as protectiveness or responsibility. And at one point Seema Raja is comparing his stalking talent to that of the story of the Phoenix bird.
Seema raja movie rating how to#
If you try to address the politics of the movie, Ponram is sort of glorifying the old zamindar culture by saying it knew how to maintain it rather than the current system. But the story is so thin and the subplots are so wayward that the chances of you remembering any of the jokes is pretty less. As a package of two hours of laughter, Seema Raja might work. It seems like Ponram and Sivakarthikeyan know the fact that Sivakarthikeyan can’t go for a full-fledged action hero flick right now and you are repeatedly shown comedy bits to maintain the humor vibe of the combo. And much like a lot of Tamil entertainers that target the B and C center audience by compromising the longevity of the content, Seema Raja also goes after pointless humor, glorified romance and excessive heroics. The summary I just mentioned above could give you a feeling that it is a simple and effective idea for an entertainer. How the attempt to save the relationship results in the enlightenment of the “prince” is what Seema Raja dealing with. Now there is no glory and a tussle over the ownership of the common market in the village results in a scenario where the love life of Seema Raja ends up in a difficult situation. It is expected to click among the rural masses of Tamil Nadu.So our hero Seema Raja belongs to the youngest generation of a family that ruled one part of Tamil Nadu for a long time. Seemaraja is a film that doesn’t offer anything new but a commoner might still find it entertaining. All they had to do was to put up a brooding face, shout loudly and act negative. Lal and Simran play the antagonists in the movie. Soori as the sidekick is a huge let down with his bland and repeated comedy numbers. The actress had trained in Tamil Nadu’s traditional martial arts form Silambam and those portions have come out well. Somehow, the plot is dragged down to a godown fight where the hero eventually wins.įor a change, Samantha, as the female lead, gets something to perform. But as they say, all’s well that ends well. The relevance of this episode is questionable. A ‘Baahubali’ like track comes out of nowhere. From his grandfather, he comes to know about the rich history of his royal family and how his ancestors protected their kingdom from foreign invaders. After his father’s death, he is crowned as the king. Meanwhile, Seemaraja continues to fight for his village and the farmers. He then tries all possible ways to ‘win’ over her, which includes a few more songs. He falls in love with a girl at first sight and then immediately comes another song. He gets a mass intro fight scene which is then followed by the customary hero-glorification song. Sivakarthikeyan as Seemaraja does whatever a typical Tamil cinema hero can. What happens when Seemaraja falls in love with Kannan’s daughter and how the former manages to overcomes all these problems forms the rest of the plot. This rivalry between the two families affect the villagers. Puiyampatty’s Karikkada Kannan and his wife have a long standing enmity with the royal family. Singampatty’s Seemaraja is the only heir of the royal family. The plot kicks off by showing the rivalry between two villages – Singampatty and Puliyampatty.
But are they in the recent proportions is the question. There is comedy, action, sentiments and colorful dance numbers. Seemaraja is a typical Sivakarthikeyan style film with every single commercial ingredient that a commoner expects to watch in his film. So is it a hat-trick of hits for the combo? Read to know more.
Seemaraja Review: A typical Sivakarthikeyan style entertainerĪfter the success of Varuthapadatha Vaalibar Sangam and Rajini Murugan, Sivakarthikeyan and director Ponram are back with another rural based entertainer, Seemaraja.
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